Some folks go all out for Halloween. The house is below road grade, so the dragon is not as tall as you might think but still is plenty big. The eyes have red lights, and there is something that looks like a flame that flutters in the mouth. Also, the wings move. The crystal ball is a nice touch. I'm not a huge fan of inflatables, but this one is really cool. I thought
Henda might like it.
View attachment 2953
The western dragon-makers for this Halloween piece have borrowed the idea of the Precious Pearl from the Chinese celestial dragon history. The Chinese dragon lineage goes back at least 10,000 years, and is very linked with all their spiritual and mystical understanding about the real nature of Earth and of spiritual evolution.
Here is a brief explanation from a renowned book written in 1928 by Ernest Ingersoll, "Dragons and Dragon Lore":-
(Chapter 10) THE DRAGON'S PRECIOUS PEARL
A MOST curious, interesting, and at the same time obscure feature of this whole baffling subject is that of the so-called Pearl which accompanies the dragon in pictures and legends from the earliest times, and is common to the religious traditions of the whole East--India, China and Japan. Necklaces of pearls are a regular part of the regalia of naga-queens in their submarine palaces; and we read often in the old Vedic books of a magical ‘jewel of good luck,' which was in custody of the naga-maidens but was lost by them through terror of their monstrous enemy, the bird garuda. There are traces of it in early Taoism, but it is best preserved in Buddhism as the jewel in the lotus, the mani of the mystic, ecstatic, formula Om mani padme hum--the "Jewel that grants all desires," the 'divine pearl' of the Buddhists throughout the Orient. Koreans commonly believe that the yellow (chief) dragon carries on his forehead (as also in Japan) a pear-shaped pearl having supernatural properties and healing power. In China alone, however, is this mystical accessory of the dragon made a significant part of pictures and decorative designs. Some say that originally every proper dragon carried a pearl under his chin; others that it was a special mark of imperial rank. A sixth-century writer asserts that such pearls are "spit out of dragons like snake-pearls out of snakes," and have enormous value.
This extraordinary gem is represented as a spherical object, or ‘ball,’ half as big, or quite as large, as the head of the dragon with which it is associated, for it is never depicted quite by itself. The gem is white or bluish with a reddish or golden halo, and usually has an antler-shaped 'flame' rising from its surface. Almost invariably there hangs downward from the centre of the sphere a dark-coloured, comma-like appendage, frequently branched, wavering below the periphery. A biologist might easily at first glance conclude that the whole affair represented the entry of a spermatozoon into an ovum; and the Chinese commonly interpret the ball with its comma-mark as a symbol of yang and yin, male and female elements, combined in the earth--which seems pretty close to the biologist's view. Such is the Dragon-Pearl.
In purely decorative work, where the figure of a dragon is writhing in clouds or adapting its lithe body under an artist's hand to the shape or purpose of a piece of porcelain, a bronze article, or a silken garment, the pearl may be drawn close to the dragon, or wherever convenient. When, however, it is desirable to express the significance of this sacred adjunct of dragonhood, it is treated with strict attention to reverence and tradition. Then are pictured celestial dragons ascending and descending through the upper air, tearing a path, perhaps, through swirling mists and shadows, "in pursuit of effulgent jewels or orbs that appear to be whirling in space, and that were supposed to be of magic efficiency, granting every wish." ...